Marked by a sta­ble cli­mate, the Holocene has been good to humans. The entire his­tory of our civ­i­liza­tion (agri­cul­ture, city build­ing, writ­ing etc.) is bound within the Holocene and its bounty of pro­duc­tive land and oceans.

Hid­den for cen­turies, the ancient Maya city of Holtun, or Head of Stone, is finally com­ing into focus.

Hub­ble has dis­cov­ered a mys­te­ri­ous X-shaped object trav­el­ing at 11,000mph. NASA says that P/2010-A2 may be a comet, prod­uct of the col­li­sion between two aster­oids. Or a Klin­gon Bird of Prey. Either way, UCLA inves­ti­ga­tor David Jewitt is excited: This is quite dif­fer­ent from the smooth dust envelopes of nor­mal comets. The fil­a­ments are made of dust and gravel, presumably […]

David Wilcock talks to Project Camelot’s Kerry Cas­sidy about the Nor­way Spi­ral of Decem­ber 9th 2009. The dis­cus­sion cov­ers top­ics such as UFO Dis­clo­sure, DNA Upgrade, and 2012. David believes the Blue Spi­ral UFO over Nor­way is from a nearby HAARP facil­ity, and is part of the slow process of con­di­tion­ing the masses about UFOs and Extraterrestrials.

The orig­i­nal Man­del­brot is an amaz­ing object that has cap­tured the public’s imag­i­na­tion for 30 years with its cas­cad­ing pat­terns and hyp­not­i­cally colour­ful detail. It’s known as a ‘frac­tal’ — a type of shape that yields (some­times elab­o­rate) detail for­ever, no mat­ter how far you ‘zoom’ into it (think of the trunk of a tree sprout­ing branches, which in turn […]

The fea­ture film “2012: Time for Change” presents an opti­mistic alter­na­tive to apoc­a­lyp­ti­cal doom and gloom. Directed by Emmy Award nom­i­nee Joao Amorim, the film fol­lows jour­nal­ist Daniel Pinch­beck, author of the best­selling 2012: The Return of Quet­zal­coatl, on a quest for a new par­a­digm that inte­grates the archaic wis­dom of tribal cul­tures with the sci­en­tific method. As con­scious agents […]

Cymat­ics –noun the study of vis­i­ble sound and vibra­tion. Is there a con­nec­tion between sound, vibra­tions and phys­i­cal real­ity? Do sound and vibra­tions have the poten­tial to create?